We read books in front of the fire,

and sometimes throw them in.

Monday, February 13, 2012

Wicked Lovely – I want to set up the Hunger Games in the Wicked Lovely universe just so that Katniss can go in and kill all the characters.








   The title pretty much sums up my feelings towards this book, however, I will stick a review after it so that I can justify my loathing. When it comes to Wicked Lovely, I am a hater, but not a mindless one. I gave this book a chance, read the entire thing… I simply regret doing so.
 
   You know when something has potential, but somehow utterly fails to deliver? Kind of like the Eragon movie. Well, that is how I feel about Wicked Lovely. It’s a book set in a very similar world to that of Cassandra Clare’s City of Bones, which was quite a good read, so I optimistically thought that perhaps Melissa Marr’s creation could be alright. Urban fantasy is definitely not my preferred genre; however, while I didn’t particularly want to read City of Bones, I’m glad I did. Maybe Wicked Lovely would be good after all.

   LOL JKS.

   While Wicked Lovely shares some traits with City of Bones, the story was not nearly as well-executed or ambitious. Cassandra Clare had some clichés, but she developed them and added some originality for good measure. Melissa Marr’s book, meanwhile, contains only those elements of City of Bones which are weakest. So you get your female protagonist who can see people no-one else can see; who is prettier than she believes herself to be; and who is said to be full of snarky attitude, but not shown to be so. There are also love triangles involving two beautiful teenage boys who are highly possessive protective of the girl-who-of-course-I-don’t-need-saving-wait-no-he’s-hot. Cassandra Clare, however, takes the supernatural beings, magic, and parallel world to a new level. Melissa Marr doesn’t – and what a pity that is. 

   Here’s a brief summary of the book to put us on the same page. Basically, the story revolves around Aislinn (apparently pronounced ‘Ashling’, FYI), a teenage girl who possesses the Sight. The latter enables her to see the invisible faeries that are, in fact, all around us. She must, however, keep her gift secret for the fear that the faeries will harm her if they discover that she can see them. Then, a faerie named Keenan starts stalking following her around, convinced that she is the ‘Summer Queen’ who will spend all eternity with him, the Summer King, in order to ward off the gradual onset of winter’s dominance with their love. Aislinn, however, has no intention of becoming the Summer Queen – particularly not with the temptation of her oh-so-attractive anchor in the human world, Seth.

   Just a warning before we proceed with the dissection; if you’re still thinking about reading this book, there are spoilers coming up in the next few paragraphs (nothing drastic though – it’s not like there were any real secrets to spoil). 

   Overall, the characters were stereotypical, run-of-the-mill. I had the impression that I had met all of them before, and probably in far more sophisticated forms too. A lot of them also seemed unable to remain in character, and appeared to enjoy acting without any real motivation, or explanation as to why.

   You’d expect the main character to draw the reader in some way, but Aislinn was bland. She was pretty (but didn’t realise how beautiful she actually was – gasp!) and had a rare gift, which ‘runs-in-the-genes’. So, we’ve been told that she’s special because of her Sight, but personality-wise, there’s nothing about her that makes you want to hang out with her for the next 300 pages. You’re never entirely sure whether or not she wants to be protected, or be the sassy, kick-ass type of leading lady; it changes a lot. One minute she’s freaking out about being stalked by faeries, which I can understand, but what I can’t forgive is that she swings back and forth between that and vowing to tell the faeries to go stuff themselves. So, on the whole, not very impressive. Apart from the pendulum effect (which doesn’t count) there isn’t any real change or development in her character either.

   Onto the next unmemorable character: Seth, the human guy in the love triangle. He is gorgeous (in Aislinn’s eyes at least – but we’ll get to that later), and is also basically infatuated with Aislinn, taking on the role of protective male. Ultimately, he is blandly portrayed as the perfect man. Always there for Aislinn, always looking out for her; he’d do anything for her, quite unconditionally. He even believes her when she breaks down and tells him about faeries! That’s sweet, but too good to be true. 

   Frankly, this book would have benefited from having more conflict. The story would’ve been infinitely more interesting if Seth had a few flaws and called bull when Aislinn started talking about faeries. After all, he’s portrayed as being this guy who is tough, respected by all his oh-so-hardcore friends, always throwing parties, totally desirable, has slept with 40 women (no, I’m not making this up – he’s around twenty years old, btw)… And while we are told he cares about Aislinn, would a guy like him really risk his image by believing her? I doubt it. Unless, of course, the world revolves around her, in which case I spy A MARY SUE!

   Another issue I have with this book (and specifically, with Seth) – he lives in an ‘abandoned train’, which he apparently bought himself. He also owns a pet snake? How? No explanation. Why? Well, there’s no real purpose for the train or the snake in the story, which leads me to believe that this is yet another misguided attempt to make Seth appear really cool. And – literally – totally unbelievable.

   See, I told you this book was dodgy. 

   Just before we move on (read: stab and flee) from the character of Seth, I should point out a few elements of his perfection which grated. Firstly, the supposed proof of his attractiveness and his loyalty to Aislinn comes through his romantic revelation that he not only got himself checked for STDs and has none, but that he has also restrained himself from sleeping around for seven months. True love right there.

   Additionally, he is lovingly portrayed as flawless, yet also sports emo hair, tattoos, and body piercings. He enjoys hanging out in alleyways, tattoo parlours and nightclubs. In fact, all of the characters seem to find this kind of behaviour very ‘hip’ and can’t wait until they too can flee the tyranny of education and employment to join this seedy underbelly of town.

   Yes, this is a judgemental view based on stereotypes. No, I don’t hate everyone with tattoos and body piercings – in fact; I have friends and family members with both. I do think, however, that this book’s setting is, in a word, ‘seedy’. As a reader or in real life, I don’t want to hang around in some of the places these characters love. I also doubt many people can really relate to the characters, who are either a) completely slutty Catholic schoolgirls (a stereotype which has been blown waaay out of proportion by this book, and which isn’t really a stereotype needing encouragement); b) stalkers – but in the end, hey, it’s okay because they’re hot; and c) people who think heaven is a dark alleyway dotted with tattoo parlours.

   While you could potentially venture into a dark alley, befriend the perfectly-nice-though-covered-in-tattoos boy inside it, and make it out the other end, this is probably the exception, not the rule – and one certainly shouldn’t bank on the boy being friendly and without self-interest. The characters and setting in Wicked Lovely are glorified. Nice attempt to break down stereotypes (almost reminds me of this excellent song, but not quite, considering Wicked Lovely is far less well realised), but at the same time, as the readership of this book is tween/teen girls, the message coming from it is very bad indeed. Essentially; slutty is cool, slutty gets you guys, you need men in your life, and a man who has slept with forty women is an eligible and highly desirable partner for a 17-year-old-girl. Oh, and rebel – you may be underage, but don’t let that stop you from drinking, dancing in nightclubs, sleeping with men, and hanging out in dingy bars and tattoo parlours. I’m not a prude, but I can’t see that message being a good one for 13-year-olds. 

   Sigh. This is becoming a rant, and I think my distaste for the book is bringing out the worst in me. Let’s administer the killing blow and be done with it all.

   Keenan. He’s the Summer King of the faeries, and he’s been trying to find a Queen for 900 years. His tactic for making them fall in love with him is the good old stalk-them-until-they-give-in. Great. Every so long a potential queen shows up – including AISLINN’S MOTHER (clear case of the disturbing Jacob-Bella-Renesmee romance in Breaking Dawn) but none as yet have ended up being The One. The potential queens either become Winter Girls or Summer Girls, depending on whether they opt to try to be Keenan’s sole love, the Summer Queen, a position determined by the magical reckoning of a staff, or play safe and simply become a Summer Girl (*coughCONCUBINEcough*). If a potential candidate tries for Summer Queen and fails, she becomes a Winter Girl, which means she mopes for all eternity as she is forever separated from Keenan due to him being part of the Summer Court, and her part of the Winter Court.

   To be quite honest, I never understood everything about the various courts, or the Winter Girls (can there be more than one at a time…?). The world of the fey is minimally explored and developed. We don’t even know why/how faeries exist! 

   To be fair, maybe these questions will be answered in future books. I sure hope that’s the case, because the loose folklore base of the fey could make the story far more interesting. After reading Wicked Lovely, however, do I have any desire to read the sequel? Not really! Therefore, for me, this book fails as the first book of a series for it gives me no desire to read on.

   Oh, and the villain was quite possibly the most badly-written antagonist I have ever come across. She was unbelievably flat. There are inanimate objects with more character than her. 

   I try to be a nice, generous person, but Wicked Lovely makes that challenging.

   On a positive note, however, there is one character in this book that breaks the mould. Donia is a Winter Girl who remains in love with Keenan. She is messed up, confused, a little bit tragic, and actually piques the reader’s interest. Give the girl a prize. 

   Now back to the negative… The quality of writing was not great. Certain passages jarred a little, and the characters didn’t seem to have particularly different voices.

   A final point: this book really isn’t appropriate for kids under 13 or so. There’s heaps of sexual tension, many mentions of sex and rape; a rather disturbing scene where a faerie is almost raped while the protagonists watch on, taking their time to finish their conversation before intervening; other sexual assault; and a host of characters entirely driven by sexual desires. I’m stating this no more bluntly than the way it is presented in the book. 

   I feel like this review is making me sound like a prude, however, I simply found this book to be very tasteless and unpleasant. I don’t mind sex and violence in books if it is well-executed, but unfortunately Wicked Lovely fails on the execution front too. Sad face.

   The bottom line: This book’s only saving grace is Donia, and the potential for originality in the world of the fey. Basically, Wicked Lovely is one of the many Paranormal Romance / YA novels which have spawned from Twilight’s success. If the use of the word ‘spawned’ there offends you, or you don’t understand what it means[1], then you’ll probably enjoy this book. 

If you are, however, one of those people who sidesteps the entire PR shelf when perusing the local bookstore…run fast, run far.

Pippa’s rating: 2/10

Additional Note: I tried to read the sequel in the hope that the series would get better. I dragged myself through one hundred agonising pages. Any improvement? NOT. AT. ALL. My brain cells will wear the scars of this torture forever.


[1] [in the above context] – spawn: the product or offspring of a person, place, or (in this case) object. The term is used to express distaste or disgust.
And yes, that was low. If you didn’t know what ‘spawned’ meant, however, at least now you do. Plus, I may have recommended a book to you which you will really enjoy.

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